Fall 2024 NYC Season
Photo by Kelly Puleio
The Joyce Theater Foundation, in association with the José Limón Dance Foundation, Inc., presents
Limón Dance Company
FOUNDERS
José Limón and Doris Humphrey
ARTISTIC DIRECTOR
Dante Puleio
EXECUTIVE DIRECTOR
Michelle Preston
ASSOCIATE ARTISTIC DIRECTOR
Logan Frances Kruger
THE COMPANY
Natalie Clevenger - Joey Columbus - MJ Edwards* - Mariah Gravelin
Johnson Guo - Kieran King - Deepa Liegel - Olivia Mozie - Eric Parra
Nicholas Ruscica - Jessica Sgambelluri - Savannah Spratt - Lauren Twomley
*2024 Princess Grace Award Recipient
LIMÓN2
Tyler Brunson - Adele Carlson - Casidy Chan - Mikey Comito
Nyah Malone - Nathan Podziewski - Jasmine Presti - Richard Sayama - Xinyi Zhang
MUSICIANS
Douglas Perkins, Percussion
Michael Scales, Piano
DIRECTOR'S NOTE
Choreography: José Limón (1954)
Music: Gunther Schuller, Symphony for Brass and Percussion*
Staging & Direction: Kurt Douglas
Costume Design (2020): Barbara Erin Delo
Original Scenic Design: Paul Trautvetter
Original Lighting Design: Thomas Skelton
Lighting executed by: Liz Schweitzer
Dancers
(11/5, 11/6, 11/9 eve, 11/10)
The Leader: Eric Parra
The Followers: Natalie Clevenger,
Joey Columbus, Kieran King, Deepa Liegel,
Nicholas Ruscica, Savannah Spratt
The Traitor: Johnson Guo
Dancers
(11/7, 11/8, 11/9 mat)
The Leader: MJ Edwards
The Followers: Joey Columbus,
Johnson Guo, Kieran King, Olivia Mozie
Savannah Spratt, Lauren Twomley
The Traitor: Nicholas Ruscica
José Limón’s response to the McCarthy hearings and the climate of betrayal that haunted the arts and entertainment fields.
Traditionally all male, this is the world premiere with a mixed gender cast.
First performed by the José Limón Dance Company on August 19, 1954,
at the Connecticut College American Dance Festival
*Presented under license by Malcom Music, copyright owners
PAUSE - MUSIC INTERLUDE
Douglas Perkins, percussion
THE TRAITOR
(20 Minutes)
Photo Hisae Aihara
Choreography: José Limón (1958)
Music: Zoltán Kodály*, Missa Brevis In Tempore Belli
Remaster (2024): Darron L West
Reconstruction (2024): Kathryn Alter and Kurt Douglas
Reconstruction Assistants: Eric Parra and Lauren Twomley
Costume Design and Construction (2024): Caitlin Taylor
Original Costume Design: Ming Cho Lee
Scenic Design: Ming Cho Lee
Lighting Design: Steve Woods, executed by William Brown (2024)
Dancers
Soloist – The Outsider
Eric Parra (11/7, 11/8, 11/9 mat)
Lauren Twomley (11/5, 11/6, 11/9 eve, 11/10)
The Company: Adele Carlson*, Casidy Chan*, Natalie Clevenger, Joey Columbus, Mikey Comito*,
Mariah Gravelin, Johnson Guo, Kieran King, Deepa Liegel, Nyah Malone*, Olivia Mozie, Eric Parra,
Nathan Podziewski*, Jasmine Presti*, Nicholas Ruscica, Richard Sayama*, Jessica Sgambelluri, Savannah Spratt, Lauren Twomley, Xinyi Zhang* Tyler Brunson* (UNDERSTUDY)
*Member of Limón2
MISSA BREVIS
(30 minutes)
(11/5, 11/6, 11/9 eve, 11/10)
Introitus – Organ Introduction
Kyrie and Gloria – The Company
Qui Tollis – The Outsider
Cum Sancto Spiritu – The Outsider
with Natalie Clevenger, Joey Columbus, Johnson Guo, Nicholas Ruscica
Credo – Joey Columbus, Johnson Guo,
Nicholas Ruscica, with Mariah Gravelin,
Deepa Liegel, Savannah Spratt
Crucifixus – Jessica Sgambelluri
Et Resurrexit – The Company
Sanctus – Mariah Gravelin, Jessica Sgambelluri, Savannah Spratt
Benedictus – The Outsider
with Mariah Gravelin, Jessica Sgambelluri
Hosanna – Savannah Spratt
with The Company
Agnus Dei – The Outsider
with The Company
Ite, Missa Est – The Outsider
with The Company
(11/7, 11/8, 11/9 mat)
Introitus – Organ Introduction
Kyrie and Gloria – The Company
Qui Tollis – The Outsider
Cum Sancto Spiritu – The Outsider
with Natalie Clevenger, Joey Columbus,
Johnson Guo
Credo – Natalie Clevenger, Joey Columbus,
Johnson Guo, with Deepa Liegel,
Olivia Mozie, Jessica Sgambelluri
Crucifixus – Savannah Spratt
Et Resurrexit – The Company
Sanctus – Mariah Gravelin, Deepa Liegel,
Savannah Spratt
Benedictus – The Outsider
with Mariah Gravelin, Savannah Spratt
Hosanna – Mariah Gravelin
with The Company
Agnus Dei – The Outsider
with The Company
Ite, Missa Est – The Outsider
with The Company
Limón called this work his "prayer for peace." Zoltán Kodály, the Hungarian Composer, wrote Missa Brevis in Tempore Belli during the siege of Budapest. Its first performance was given in the cellar of a bombed-out church.Limón's stirring choreography depicts an indomitable humanity amidst the legacy and destruction of war and is a memento to those unconquerable qualities that compel the spirit to rise up in hope and to survive.
First performed April 11, 1958 at the Juilliard School of Music New York City, NY
*By arrangement with Boosey & Hawkes, Inc., publisher and copyright owner
Photo Kelly Puleio
ABOUT THE LIMÓN DANCE COMPANY
The Limón Dance Company (LDC) has been at the vanguard of dance since its inception in 1946. The first dance group to tour internationally under the auspices of the State Department, and first modern dance company to perform at Lincoln Center in New York, it has performed twice at The White House. The José Limón Dance Foundation, with Company and Institute, is the recipient of a 2008 National Medal of the Arts. José Limón has a special place in American culture for a social awareness that transcended distinct groups to address how we all search for commonality. It is with this ethos that we continue to commission works by critically acclaimed and emerging international voices 50 years after Limón’s passing. His works continue to influence the evolution of the art form with their arresting visual clarity, theatricality, and rhythmic and musical life.
JOSÉ LIMÓN DANCE FOUNDATION
Board of Directors
Ivan Sacks - Chair
Robert A. Meister - Treasurer & Past Chair
Paula Carriço
Kurt Douglas
Tina Evans - Secretary
Sylvia Ann Hewlett
Jonathan Leinbach, M.D.
Cecilia Picón
Katrina Robinson
Staff
Dante Puleio, Artistic Director
Michelle Preston, Executive Director
Logan Frances Kruger, Associate Artistic Director
Lena Lauer, Director of Limón Institute
Daniel Fetecua Soto, Trainee Program Director
Louise Brownsberger, Production & Touring Manager
Elizagrace Madrone, Development Manager
Donnell Williams, Licensing Manager
Kiefer Rondina, Institute Coordinator
Bill Schaffner, Stage Manager
Liz Schweitzer, Lighting Supervisor
Gabrielle Corrigan, Wardrobe Supervisor
Aaron Selissen, Company Fitness Trainer
Domestic (U.S.) Bookings
Red Shell Management, LLC; Edward V. Schoelwer, 646-495-156 |
eschoelwer@redshellmgmt.org
Press Representation
Michelle Tabnick 646.765.4773 | michelle@michelletabnickpr.com
Founders
JOSÉ LIMÓN (Founder/Choreographer, 1908-1972) electrified the world with his dynamic masculine dancing and dramatic choreography. One of the 20th century’s most important and influential dance makers, he spent his career pioneering a new art form and fighting for its recognition. Born in Culiacán, Mexico in 1908, he moved to California in 1915, and in 1928 came to New York where he saw his first dance program. Limón enrolled in Doris Humphrey and Charles Weidman’s dance school and performed in several of their works from 1930 to 1940. In 1946, with Doris Humphrey as Artistic Director, Limón formed his own company. Over the next 25 years, he established himself and his company as a major force of 20th century dance. Limón created a total of 74 works, including The Moor’s Pavane, Concerto Grosso, and Missa Brevis.
DORIS HUMPHREY (Founder/Choreographer, 1895-1958) is recognized as a founder of American Modern Dance. She developed a distinctive movement approach based on the body’s relationship to gravity and the use of weight. The company she formed with Charles Weidman produced great dances as well as outstanding performers, José Limón among them. When physical disability ended her career as a dancer, she became the Artistic Director for José Limón and his company, creating new works for him and for The Juilliard.
Artistic Leadership
DANTE PULEIO (Artistic Director, He/Him), a widely respected former member of the Limón Dance Company for more than a decade, Puleio was appointed the sixth Artistic Director in the Company’s 78-year history, a position that originated with Doris Humphrey. After a diverse performing career with the Limón Dance Company, touring national and international musical theatre productions, television and film, he received his MFA from University of California, Irvine. His research focuses on contextualizing mid 20th century dance for the contemporary artist and audience. He is committed to implementing that research by celebrating José Limón's historical legacy and reimagining his intention and vision to reflect the rapidly shifting 21st century landscape.
LOGAN FRANCES KRUGER (Associate Artistic Director, She/Her) an Atlanta, Georgia native, received her early training from Annette Lewis and Pamala Jones-Malavé, and went on to receive a BFA from The Juilliard School. Her extensive performing career has included work with renowned artists such as Shen Wei, Jonah Bokaer and Adam H Weinert. Logan was a principal dancer with the Limón Dance Company for 9 years, and was the Company’s Rehearsal Director for 4 years before being appointed Associate Artistic Director in 2021. Logan has taught master classes and workshops across the globe, and is a reconstructor of Limón’s repertory.
Limón2 (L2)
The Company
NATALIE CLEVENGER (Dancer, She/They), from Mooresville, IN and received her BFA in dance from the University of Arizona in 2018. Upon graduation, Natalie joined Dance Kaleidoscope in Indianapolis, IN and danced with the company for three seasons. Natalie joined Limón Dance Company in 2022.
JOEY COLUMBUS (Dancer, He/Him) began his dance training in the Chicagoland area before obtaining his BFA in dance from the Ailey/Fordham BFA Program. He has performed with companies such as RIOULT and Company XIV as well as at the Metropolitan Opera.
MJ EDWARDS (Dancer, They/Them) from Middletown, NY, studied at LaGuardia High School, MOVE|NYC|, San Francisco Ballet School, and The Juilliard School. They worked with choreographers Ohad Naharin, Aszure Barton, and Kayla Farrish. They received the SFBS 2018-2019 Choreographic Fellowship and are a 2019 YoungArts winner. In 2021, MJ joined the Limón Dance Company.
MARIAH GRAVELIN (Dancer, She/Her) joined the Limón Company in 2019 where she has performed and taught nationwide. She holds a BFA from Alvin Ailey/Fordham University (2018). She is on faculty for the Limón Institute and can be found with her camera in hand photographing when not dancing.
JOHNSON GUO (Dancer, He/Him) began his dance training at NYC’s Ballet Tech Program. He continued his learnings at the Conservatory of Dance at SUNY Purchase. Before graduating with a BFA degree in dance performance, Johnson joined the esteemed Limón dance company in 2021.
KIERAN KING (Dancer, He/Him) grew up in Dallas, Texas. A University of Oklahoma alumnus, Kieran performed as a Dance Kaleidoscope company member from 2019 to 2023, under David Hochoy’s direction. He joined the Limón Dance Company in 2023. Instagram: @sliceofkie
DEEPA LIEGEL (Dancer, She/Her) joined Limón Dance Company in 2021. Originally from Seattle, Washington. BFA from Southern Methodist University. Professionally worked with Mark Morris Dance Group, the Metropolitan Opera, Dance Lab NY and others. Certified classical Pilates instructor since 2020. Instagram: @deepaleaps.
OLIVIA MOZIE (Dancer, she/her) born in Greenville, SC began dancing at the age of four and continued her studies at The South Carolina Governor’s School, graduating in 2020. In 2024, Olivia graduated from Boston Conservatory at Berklee with a B.F.A. in Contemporary Dance Performance. Olivia joined the Limón Company in January 2024.
ERIC PARRA (Dancer, He/Him) is a first-generation Colombian-American artist from Union City, NJ. He graduated from Montclair State University with a BFA in Dance Performance in 2017. Current credits include Limón Dance Company, Camille A. Brown & Dancers, Metropolitan Opera Ballet.
NICHOLAS RUSCICA (Dancer, He/Him) is a New York based dance artist originally from Toronto, Canada. He is a President’s Merit Scholar (Calarts, BFA) and a trained actor combatant. He has collaborated with artists such as Aszure Barton, VIMVIGOR, and Kayla Farrish. Nicholas has been with Limón since 2020.
JESSICA SGAMBELLURI (Dancer, She/Her) is a 2014 graduate of Marymount Manhattan College. Jessica has danced for Graham 2, TED Talks Live, Caterina Rago Dance Company, The Metropolitan Opera, and Buglisi Dance Theatre. Jessica joined the company in 2019.
SAVANNAH SPRATT (Dancer, She/Her) joined the company in 2016. Hailing from Rochester, PA, she holds a BFA from UNCSA (recipient of the Sarah Graham Keenan Scholarship). Beyond Limón, she has collaborated with Madeline Hollander, Hélène Simoneau, and the Merce Cunningham Trust and enjoys knitting.
LAUREN TWOMLEY (Dancer, She/Her) from Brooklyn, NY, is a performing and teaching artist who has been with the Limón Dance Company since 2019. She is a dancer and operations manager for Peter Stathas Dance and values connection, diversity, and play in her artistic endeavors.
TYLER BRUNSON (Dancer, they/her) from New Jersey, trained at the Joffrey Ballet School, earning a BFA in Fine Arts. Tyler has worked with choreographers such as Fatima Logan-Alston, Rush Johnson & Kadeem Alston.
ADELE CARLSON (Dance, She/Her) was raised in Houston, TX and graduated from Southern Methodist University. She has performed with Salvatore Larussa and currently Alpha Omega Theatrical Dance Company. This is her first season with Limón2.
CASIDY CHAN (Dancer, She/Her) a diverse artist born and raised in Honolulu, Hawaii trained with Charlys Ing, The Rock School for Dance Education, and The University of Arizona before joining L2.
MIKEY COMITO (Dancer, he/him) is from New york. He attended SUNY Brockport in 2021 on scholarship. He then completed the LimónPro and LimónLaunch training programs and is now dancing in Limón2 and for Kathryn Alter.
NYAH MALONE (Dancer, They/She) is a multi-disciplinary artist based in Brooklyn, NY. They received a BFA in Dance from LINES at Dominican University of California before joining Limón2.
NATHAN PODZIEWSKI (Dancer, He/Him) is a dancer, actor, and choreographer. He graduated from The Hartt School and attended the Martha Graham School of Contemporary Dance, where he performed some of Graham’s Repertory and other contemporary works. He is a member of the Cecilia Whalen Dance Company.
JASMINE PRESTI (Dancer, She/Her) born in Long Island, New York, graduated with BFA from Adelphi University in 2022. She has worked with Kofago Dance Ensemble, based in Queens, New York. This is Jasmine’s first season with Limón2.
RICHARD SAYAMA (Dancer, He/Him) originally from Honolulu, Hawai’i, started dancing at the age of 16 and discovered the Limón technique in 2017.
XINYI ZHANG (Dancer, She/Her) is from China. She earned her BA in Performance from the Beijing Dance Academy and her MA in Dance Education from New York University. This is her first season with Limón2.
Our Supporters
The José Limón Dance Foundation, Inc. is supported with public funds from the New York State Council on the Arts; and the New York City Department of Cultural Affairs in partnership with the City Council. Additional support is generously provided by the following institutions: Henry and Lucy Moses Fund; The Howard Gilman Foundation; Miriam and Arthur Diamond Charitable Trust; New York Community Trust; Jody and John Arnhold; The Varnum De Rose Charitable Trust; The SHS Foundation; The Shubert Foundation; West Harlem Development Corporation; The Fan Fox and Leslie R. Samuels Foundation, Inc.; Mex-Am Cultural Foundation; Withers Bergman LLP; The Harkness Foundation for Dance; Bank of America Charitable Foundation; The Jerome Robbins Foundation; WQXR.
The Limón Dance Company is a member of Dance/USA, Dance/NYC, Association of Performing Arts Presenters, Western Arts Alliance, National Association of Schools of Dance, the Arts & Business Council, and the United States-Mexico Chamber of Commerce.
The José Limón Dance Foundation extends our gratitude to the generous supporters who make our programming possible.
Donor list as of October 31, 2024
Charles & Deborah Adelman
Lana Aleixo
Aida Anderson
Lili Arkin
Jody & John Arnhold
Kelly Arnsby
Ashman Fund Gulf Coast Community Foundation
Nikki Assanti
Martin & Louise Auerbach
Rita Auerbach
Mason Ballard
Peter Balsam
Bank Of America
Bank of New York Mellon
Tony Bechara
Lisa Benton
Mary Bernardi
Irene Blankenhorn
Bradford Blevins
Julia Boberg
Teresa Boitel
Yoann Brugiere
Diana Byer
Rebecca Cardwell
Laura Carr
Paula Carriço*
Karen & Rev. Humberto Chavez
Roopa Cheema
Mary Chen
Tracy Chenoff
Calvin Churchman
Patricia Cohen
Elizabeth Comito
Alice Condodina
Cone Marshall Group
Colin Connor
Ernesta Corvino
Judy Corwin
Juliette Crump
Barbara Cummings
Deborah Damast
Alexis Daran
Paul Debenedittis
Heather Denbow
Yiwen Deng
Diamonstein-Spielvogel Foundation
Barbara Dickinson
Carolyn Dorfman
Kurt Douglas*
Elise Drew
Carla Eaton
Robert Ellis
Juan José Escalante
Tina*& Wayne Evans
Deborah Falik
Karl Feitelberg
Danielle Fenn
Ford Foundation
Mary E. Ford Sussman
Christine J. Friedman
Jonathan Galef
Sonia Garcia-Romero
Susan Garnet
Danni Gee
Anna Gellerman
Diane Giles
Amanda Gish
Joan Gottfried
Kathryn Greenberg
Akir & Michelle Gutierrez
Stephanie Harkness
Deadria Harrington
Nicole Pura Heath
Sylvia Hewlett* & Richard Weinert
Sue Hogan
Caroline Hyman
Brigid Jennings
Jewish Communal Fund
Virginia Johnson
Madeline Jones
KAD In Motion
Carol Kaminsky
Kim Preston Charitable Fund
Aline Klaus
Mel Konner
Donna Krasnow
Ted Kropiewnicki
Robert Kuhns
Mario Lamothe
Joan Lazarus
Kate Lear
Kerry Lee
Jonathan Leinbach*
Lemberg Foundation
Agustin Leon
Charles Letourneau
Daniel Lewis
John Lewis
Konrad Liegel
Jesse Lindenberger-Schutz
Kaiching Lo
Susan Loeb
Lourdes Lopez
Joann Luehring
Peter Lyons
Jane Lytle
Lorn Macdougal
Anne Maerki
Mai Manchanda
Anthony Marino
Anne Märki
Massage Envy Midtown West
Gary Masters
Andres Mata Osorio
Maria Maury
Robert* & Jeanne Meister
Danny Mejia
Robyn Meredith
Marla Metzner
Chris Mohry
Daniel Morimoto
Patricia Murphy
Linda Murray
Stephanie Neel
Shane Nelson
Nguyen Gift Fund
John Oden
Morris W. Offit
Cheryl Oppenheim
Elizabeth Parkinson
Karin Penthaler
Roberta Pereira
Cecilia Picón* & Pedro Torres
Laura Pogoda
Posner-Wallace Foundation
Princess Grace Foundation
Allison Prouty
Sam Radin
Dahlia Remler
Leslie Rich
Katrina Robinson*
Bryan Rozencswaig
Craig Rubano
James Ruscica
Michael Russ
Ivan* and Karyn Sacks
Madeline Sacks
Raina Sacks-Blankenhorn
Harris Saltzberg
Rebecca Sanchez
Patricia Sanchez-Marin
Sierra Sanders
Linda Sant'Ambrogio
Bettina Schein
Michelle Schroer
Carol Sgambelluri
Kate Remy Shaber
Elizabeth Shew
Subhash Shinde
Jeryl Siskind
Debora Staley
Peter Stathas
Benjamin Stein
Gail Steinitz
Murray Stoltz
Thomas Sullivan
Erica Sweany
Stephanie Sweda
Allison Sweeney
Mark Tashkovich
Clarice Tavares
Olivia Taylor
John Teitler
Daintry Tennapel
Amy Leshner Thomas
Jaynie Saunders-Tiller & Chad Tiller
Kara Unterberg
Kelly Unverzagt
Yolanda Variano
Jaclynn Villamil
Peter Stanley Walker
Chelsey Ward
Carol Weil
Stephen Weiner
David Welles
Allison Wheeler
Nina White
Blakeley White
Karin Wintrová
Shawn Wood
Andrew Zacks
Kathryn Zaytoun
Jomarie Zeleznik
Choreography: José Limón (1955)
Composer: Hazel Johnson
Percussionist: Douglas Perkins
Reconstruction (1980): Carla Maxwell
Staging & Direction: Dante Puleio
Original Costume Design: Pauline Lawrence
Costume Revival: Gabrielle Corrigan
Lighting Design (1980): Edward Byers
Lighting by: Liz Schweitzer
Dancers
Soloist – Drummer – Kieran King
(11/5, 11/6, 11/9 eve, 11/10) Joey Columbus, Johnson Guo, Nicholas Ruscica
(11/7, 11/8, 11/9 mat) Joey Columbus, Johnson Guo, Eric Parra
This energetic, athletic dance for four dancers and a drum tossed between them is a compelling exploration of rhythm and movement. In moments when the percussion score stops, the movement—the beats the men create on their bodies—becomes the music.
First performed on August 19, 1955 at the American Dance Festival by Limón Dance Company
Drum Set provided by Gavin Ryan
PAUSE
SCHERZO
MAJOR REVIVAL
(11 Minutes)
Choreography: Kayla Farrish
Composer: Alex MacKinnon
Recorded by: Alex MacKinnon, Jonathan Saraga- Trumpet,
Zach Koeber- Tenor Saxophone, John Feliciano- Bass
Costume Design: Márion Talán de la Rosa
Lighting Design: Katie Whittemore
Dancers
Natalie Clevenger, Joey Columbus, Mariah Gravelin, Johnson Guo,
Kieran King, Deepa Liegel, Olivia Mozie, Eric Parra, Nicholas Ruscica,
Jessica Sgambelluri, Savannah Spratt, Lauren Twomley
This work has been inspired by the lost work Limón created in 1951 while in residency in Mexico City and revisited, renamed and re-choreographed in 1952. Redes (Nets) 1951; the representation of collective work and unity and El Grito (The Scream) 1952; the awakening of consciousness, creative force and freedom.
"This work peers into and honors traditions, rituals, and stories of lineage among communities of radical care and expression. Dreaming of the migrants’ stories, the “migrant hero” journey transposed into the carriage of the guitar and the drum. This reflected the pulse, transforming into the blues and the “corridos” singing their narratives across landscapes to one another. I pull from imagining these communities who have held onto one another, taking care of another, and pushed for transformation and revolution together. What is the breath and space where we can release, feel, and create change? This work honors avante-garde jazz, Mexican Muralism, and fully felt humanity in us all." - Kayla Farrish
This work has co-commissioning support from American Dance Festival and early residency support was provided by Vanderbilt University Blair School of Music and Kaatsbaan Cultural Park. Additional support was provided by New York State Council on the Arts.
INTERMISSION
The Quake that Held Them All
WORLD PREMIERE
(25 Minutes)
Choreography: Doris Humphrey (1931)
Staging: Gail Corbin
Music: Tragoedie Fragment a-moll, Op. 7 No. 2 by Nikolai Karolovich Medtner
Maschere Che Passano for Piano by Gian Francesco Malipiero*
Pianist: Michael Scales
Costume Design: Pauline Lawrence
Lighting Design (2024): Liz Schweitzer
Dancers
Mariah Gravelin (11/5, 11/6, 11/9 eve, 11/10)
Jessica Sgambelluri (11/7, 11/8, 11/9 mat)
A. Circular Descent
B. Pointed Ascent
Two Ecstatic Themes is the keynote to Miss Humphrey’s mature work.
“The first part is in circular and spiral movements, soft and sinking, to convey a feeling of acquiescence. The second part, in contrast to the first, moves in pointed design to a strident climax suggestive of aggressive achievement. The whole is a counterpoint of circular and angular movement, representing the two inseparable elements of life as well as design.” (D.H.)
First performance October 31, 1931 at Washington Irving High School, New York.
The Dance Notation Bureau, a non-profit service organization, has provided a Labanotation score for this staging of Two Ecstatic Themes.
*Presented under license by G. Schirmer, Inc. o/b/o Chester Music Ltd., copyright owners.
PAUSE
TWO ECSTATIC THEMES
(6 Minutes)
Photo by Christopher Jones
Photo by Jack Baran
When curating Limón’s and newly commissioned works, I focus on different aspects of who José Limón was, why he made the works he did and how they are in conversation with the current moment.
As we sit here in election week and all that has happened these past few months, I hold onto the human instinct to rise in the face of adversity, and Limón’s belief that we will grow stronger together, not in spite of, but because of what stands in our path.
In creating this program I’ve been drawn to what I know of Limón and his feeling of living on the periphery, as an outsider, while holding strong to the belief in the power of community.
These works explore the sensation of being on the outside looking in. Reaching across decades we step inside Limón, Humphrey and Farrish’s experience of the solo figure and their response to the intensely changing world around them.
Dante Puleio, Artistic Director
PROGRAM NOTES
Guest Collaborators
KAYLA FARRISH (Choreographer, She/Her), is a Black American Director merging dance-theater, filmmaking, narrative, and sound score. She captures ranging identity, the mythical dualities of history and present survival, and powerful dreaming lending to liberation. She is currently a NEFA National Dance Project Grantee for her project “Put Away the Fire, dear” currently on tour and the recipient of the Ellis Beauregard Contemporary Dance Award. She has been commissioned by Limon Dance Company, ODC Theater, Louis Armstrong House Museum, Blacklight Summit, Harlem Satage and beyond. She creates live works, films, site-specific/immersive, and collaborations with musicians and other artists. Presenting spaces include Lincoln Center, Park Avenue Armory, Symphony Space, and National Sawdust, among receiving support from Watermill Center for the Arts, Armstrong Now, Brooklyn Filmmakers Collective, Baryshnikov Arts Center, La Mama Theater, and others. She is excited to create more, and continue to be a part of radical movements of freedom and humanity.
ALEX MACKINNON (Composer, He/Him), is a drummer/composer from Piermont, NY now based in Brooklyn. He has performed at Carnegie Hall, National Sawdust, Webster Hall, The 92nd St Y. He has worked consistently as a dance accompanist for over 15 years playing classes of all styles. He has composed music for choreographers including Kayla Farrish, Giada Matteini, Betsy Coker, Selina Chau, and more. As a drummer he has worked groups such as Layerhythm, That Shuffle, Clay Haynes, The Fine Machines, and Randy Johnston. You can find his original music at Alexmakesmusic.bandcamp.com and thewhistleblowers.bandcamp.com as well as on all streaming services.
MICHAEL SCALES (Pianist, He/Him), is a musician for dance in New York City, where he serves as pianist at New York City Ballet, the School of American Ballet, and formerly at American Ballet Theatre and New York Theatre Ballet. Michael is pianist for Vail Dance Festival, and has collaborated with Martha Graham Dance Company and Limón Dance Company. Michael has performed at numerous venues around New York City including Carnegie Hall, Lincoln Center, NY City Center, the 92nd Street Y, Rockefeller Center, and in halls across the country and internationally. Michael holds a Bachelor of Arts degree from Kutztown University of Pennsylvania, where he studied with Dr. Maria Asteriadou, and a Masters of Music degree from James Madison University, where he studied with Dr. Lori Piitz.
DOUGLAS PERKINS (Drummer, He/Him), is a GRAMMY nominated percussionist, producer, and conductor who has performed everywhere from Carnegie Hall to the heart of the Alaskan Tundra. He founded the percussion quartet So Percussion and the Meehan/ Perkins Duo. Perkins is the Director of Percussion at the University of Michigan.
Photo by John Herr
SPECIAL THANKS
Brad Beakes
Charlotte Bydwell
Tobin del Cuore
Pablo Eluchans
Tim Glenn
Gavin Ryan
Jeanne Solan