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Fall 2024 NYC Season

Photo by Kelly Puleio
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The Joyce Theater Foundation, in association with the José Limón Dance Foundation, Inc., presents
Limón Dance Company

FOUNDER
S
José Limón and Doris Humphrey

ARTISTIC DIRECTOR
Dante Puleio

EXECUTIVE DIRECTOR
Michelle Preston

ASSOCIATE ARTISTIC DIRECTOR
Logan Frances Kruger


THE COMPANY
Natalie Clevenger
- Joey Columbus - MJ Edwards* - Mariah Gravelin
Johnson Guo - Kieran King - Deepa Liegel - Olivia Mozie - Eric Parra
Nicholas Ruscica - Jessica Sgambelluri - 
Savannah Spratt - Lauren Twomley
*2024 Princess Grace Award Recipient

LIMÓN2
Tyler Brunson - Adele Carlson - Casidy Chan - Mikey Comito
Nyah Malone - Nathan Podziewski - Jasmine Presti - Richard Sayama - Xinyi Zhang


MUSICIANS

Douglas Perkins, Percussion
Michael Scales, Piano

DIRECTOR'S NOTE

Choreography: José Limón (1954)

Music: Gunther Schuller, Symphony for Brass and Percussion*

Staging & Direction: Kurt Douglas

Costume Design (2020): Barbara Erin Delo

Original Scenic Design: Paul Trautvetter

Original Lighting Design: Thomas Skelton

Lighting executed by: Liz Schweitzer

 

Dancers

(11/5, 11/6, 11/9 eve, 11/10)

The Leader: Eric Parra

The Followers: Natalie Clevenger, 
Joey Columbus, Kieran King, Deepa Liegel,

Nicholas Ruscica, Savannah Spratt

The Traitor: Johnson Guo

Dancers

(11/7, 11/8, 11/9 mat)

The Leader: MJ Edwards

The Followers: Joey Columbus,

Johnson Guo, Kieran King, Olivia Mozie

Savannah Spratt, Lauren Twomley

The Traitor: Nicholas Ruscica

José Limón’s response to the McCarthy hearings and the climate of betrayal that haunted the arts and entertainment fields.

Traditionally all male, this is the world premiere with a mixed gender cast.

                                                                         

First performed by the José Limón Dance Company on August 19, 1954, 

at the Connecticut College American Dance Festival

*Presented under license by Malcom Music, copyright owners

 

PAUSE - MUSIC INTERLUDE

 

Douglas Perkins, percussion

THE TRAITOR

(20 Minutes)

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Photo Hisae Aihara

Choreography: José Limón (1958)

Music: Zoltán Kodály*, Missa Brevis In Tempore Belli

Remaster (2024): Darron L West 

Reconstruction (2024): Kathryn Alter and Kurt Douglas

Reconstruction Assistants: Eric Parra and Lauren Twomley

Costume Design and Construction (2024): Caitlin Taylor

Original Costume Design: Ming Cho Lee

Scenic Design: Ming Cho Lee

Lighting Design: Steve Woods, executed by William Brown (2024)

 

 

Dancers

 

Soloist – The Outsider 

Eric Parra (11/7, 11/8, 11/9 mat) 

Lauren Twomley (11/5, 11/6, 11/9 eve, 11/10)

 

The Company: Adele Carlson*, Casidy Chan*, Natalie Clevenger, Joey Columbus, Mikey Comito*,

Mariah Gravelin, Johnson Guo, Kieran King, Deepa Liegel, Nyah Malone*, Olivia Mozie, Eric Parra, 

Nathan Podziewski*, Jasmine Presti*, Nicholas Ruscica, Richard Sayama*, Jessica Sgambelluri, Savannah Spratt, Lauren Twomley, Xinyi Zhang* Tyler Brunson* (UNDERSTUDY)

  *Member of Limón2

MISSA BREVIS

(30 minutes)

(11/5, 11/6, 11/9 eve, 11/10)

Introitus – Organ Introduction

​Kyrie and Gloria – The Company

​Qui Tollis – The Outsider

​Cum Sancto Spiritu – The Outsider 

with Natalie Clevenger, Joey Columbus, Johnson Guo, Nicholas Ruscica

Credo – Joey Columbus, Johnson Guo, 

Nicholas Ruscica, with Mariah Gravelin, 

Deepa Liegel, Savannah Spratt

Crucifixus – Jessica Sgambelluri

Et Resurrexit – The Company

Sanctus – Mariah Gravelin, Jessica Sgambelluri, Savannah Spratt

Benedictus – The Outsider 

with Mariah Gravelin, Jessica Sgambelluri

Hosanna – Savannah Spratt 

with The Company

Agnus Dei – The Outsider 

with The Company

Ite, Missa Est – The Outsider 

with The Company

​​

(11/7, 11/8, 11/9 mat) 

Introitus – Organ Introduction

​Kyrie and Gloria – The Company

​Qui Tollis – The Outsider

​Cum Sancto Spiritu – The Outsider 

with Natalie Clevenger, Joey Columbus,
Johnson Guo

Credo – Natalie Clevenger, Joey Columbus,
Johnson Guo, 
with Deepa Liegel, 

Olivia Mozie, Jessica Sgambelluri

Crucifixus – Savannah Spratt

Et Resurrexit – The Company

Sanctus – Mariah Gravelin, Deepa Liegel,
Savannah Spratt

Benedictus – The Outsider 

with Mariah Gravelin, Savannah Spratt

Hosanna – Mariah Gravelin

with The Company

Agnus Dei – The Outsider 

with The Company

Ite, Missa Est – The Outsider 

with The Company

​​

Limón called this work his "prayer for peace." Zoltán Kodály, the Hungarian Composer, wrote Missa Brevis in Tempore Belli during the siege of Budapest. Its first performance was given in the cellar of a bombed-out church.Limón's stirring choreography depicts an indomitable humanity amidst the legacy and destruction of war and is a memento to those unconquerable qualities that compel the spirit to rise up in hope and to survive. 

 
First performed April 11, 1958 at the Juilliard School of Music New York City, NY 

*By arrangement with Boosey & Hawkes, Inc., publisher and copyright owner

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Photo Kelly Puleio

ABOUT THE LIMÓN DANCE COMPANY

The Limón Dance Company (LDC) has been at the vanguard of dance since its inception in 1946. The first dance group to tour internationally under the auspices of the State Department, and first modern dance company to perform at Lincoln Center in New York, it has performed twice at The White House. The José Limón Dance Foundation, with Company and Institute, is the recipient of a 2008 National Medal of the Arts. José Limón has a special place in American culture for a social awareness that transcended distinct groups to address how we all search for commonality. It is with this ethos that we continue to commission works by critically acclaimed and emerging international voices 50 years after Limón’s passing. His works continue to influence the evolution of the art form with their arresting visual clarity, theatricality, and rhythmic and musical life. 

JOSÉ LIMÓN DANCE FOUNDATION

Board of Directors

Ivan Sacks - Chair

Robert A. Meister - Treasurer & Past Chair

Paula Carriço 

Kurt Douglas

Tina Evans - Secretary

Sylvia Ann Hewlett

Jonathan Leinbach, M.D. 

Cecilia Picón

Katrina Robinson


Staff

Dante Puleio, Artistic Director

Michelle Preston, Executive Director

Logan Frances Kruger, Associate Artistic Director

Lena Lauer, Director of Limón Institute

Daniel Fetecua Soto, Trainee Program Director

Louise Brownsberger, Production & Touring Manager

Elizagrace Madrone, Development Manager

Donnell Williams, Licensing Manager

Kiefer Rondina, Institute Coordinator

Bill Schaffner, Stage Manager

Liz Schweitzer, Lighting Supervisor

Gabrielle Corrigan, Wardrobe Supervisor

Aaron Selissen, Company Fitness Trainer


Domestic (U.S.) Bookings
Red Shell Management, LLC; Edward V. Schoelwer, 646-495-156 |
eschoelwer@redshellmgmt.org

Press Representation
Michelle Tabnick 646.765.4773 | michelle@michelletabnickpr.com

Founders


JOSÉ LIMÓN (Founder/Choreographer, 1908-1972) electrified the world with his dynamic masculine dancing and dramatic choreography. One of the 20th century’s most important and influential dance makers, he spent his career pioneering a new art form and fighting for its recognition. Born in Culiacán, Mexico in 1908, he moved to California in 1915, and in 1928 came to New York where he saw his first dance program. Limón enrolled in Doris Humphrey and Charles Weidman’s dance school and performed in several of their works from 1930 to 1940. In 1946, with Doris Humphrey as Artistic Director, Limón formed his own company. Over the next 25 years, he established himself and his company as a major force of 20th century dance. Limón created a total of 74 works, including The Moor’s Pavane, Concerto Grosso, and Missa Brevis.

DORIS HUMPHREY (Founder/Choreographer, 1895-1958) is recognized as a founder of American Modern Dance. She developed a distinctive movement approach based on the body’s relationship to gravity and the use of weight. The company she formed with Charles Weidman produced great dances as well as outstanding performers, José Limón among them. When physical disability ended her career as a dancer, she became the Artistic Director for José Limón and his company, creating new works for him and for The Juilliard.






Artistic Leadership



DANTE PULEIO (Artistic Director, He/Him),  a widely respected former member of the Limón Dance Company for more than a decade, Puleio was appointed the sixth Artistic Director in the Company’s 78-year history, a position that originated with Doris Humphrey. After a diverse performing career with the Limón Dance Company, touring national and international musical theatre productions, television and film, he received his MFA from University of California, Irvine. His research focuses on contextualizing mid 20th century dance for the contemporary artist and audience. He is committed to implementing that research by celebrating José Limón's historical legacy and reimagining his intention and vision to reflect the rapidly shifting 21st century landscape.

LOGAN FRANCES KRUGER (Associate Artistic Director, She/Her) an Atlanta, Georgia native, received her early training from Annette Lewis and Pamala Jones-Malavé, and went on to receive a BFA from The Juilliard School.  Her extensive performing career has included work with renowned artists such as Shen Wei, Jonah Bokaer and Adam H Weinert. Logan was a principal dancer with the Limón Dance Company for 9 years, and was the Company’s Rehearsal Director for 4 years before being appointed Associate Artistic Director in 2021.  Logan has taught master classes and workshops across the globe, and is a reconstructor of Limón’s repertory. 

 



 

 

 

Limón2 (L2)

The Company

NATALIE CLEVENGER (Dancer, She/They), from Mooresville, IN and received her BFA in dance from the University of Arizona in 2018. Upon graduation, Natalie joined Dance Kaleidoscope in Indianapolis, IN and danced with the company for three seasons. Natalie joined Limón Dance Company in 2022. 

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JOEY COLUMBUS (Dancer, He/Him) began his dance training in the Chicagoland area before obtaining his BFA in dance from the Ailey/Fordham BFA Program. He has performed with companies such as RIOULT and Company XIV as well as at the Metropolitan Opera.

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MJ EDWARDS (Dancer, They/Them)  from Middletown, NY, studied at LaGuardia High School, MOVE|NYC|, San Francisco Ballet School, and The Juilliard School. They worked with choreographers Ohad Naharin, Aszure Barton, and Kayla Farrish. They received the SFBS 2018-2019 Choreographic Fellowship and are a 2019 YoungArts winner. In 2021, MJ joined the Limón Dance Company.

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MARIAH GRAVELIN (Dancer, She/Her) joined the Limón Company in 2019 where she has performed and taught nationwide. She holds a BFA from Alvin Ailey/Fordham University (2018). She is on faculty for the Limón Institute and can be found with her camera in hand photographing when not dancing.

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JOHNSON GUO (Dancer, He/Him) began his dance training at NYC’s Ballet Tech Program. He continued his learnings at the Conservatory of Dance at SUNY Purchase. Before graduating with a BFA degree in dance performance, Johnson joined the esteemed Limón dance company in 2021.

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KIERAN KING (Dancer, He/Him) grew up in Dallas, Texas. A University of Oklahoma alumnus, Kieran performed as a Dance Kaleidoscope company member from 2019 to 2023, under David Hochoy’s direction. He joined the Limón Dance Company in 2023. Instagram: @sliceofkie

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DEEPA LIEGEL (Dancer, She/Her) joined Limón Dance Company in 2021.  Originally from Seattle, Washington.  BFA from Southern Methodist University.  Professionally worked with Mark Morris Dance Group, the Metropolitan Opera, Dance Lab NY and others.  Certified classical Pilates instructor since 2020.  Instagram: @deepaleaps.

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OLIVIA MOZIE (Dancer, she/her) born in Greenville, SC began dancing at the age of four and continued her studies at The South Carolina Governor’s School, graduating in 2020. In 2024, Olivia graduated from Boston Conservatory at Berklee with a B.F.A. in Contemporary Dance Performance. Olivia joined the Limón Company in January 2024.

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ERIC PARRA (Dancer, He/Him) is a first-generation Colombian-American artist from Union City, NJ. He graduated from Montclair State University with a BFA in Dance Performance in 2017. Current credits include Limón Dance Company, Camille A. Brown & Dancers, Metropolitan Opera Ballet. 

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NICHOLAS RUSCICA (Dancer, He/Him)  is a New York based dance artist originally from Toronto, Canada. He is a President’s Merit Scholar (Calarts, BFA) and a trained actor combatant. He has collaborated with artists such as Aszure Barton, VIMVIGOR, and Kayla Farrish. Nicholas has been with Limón since 2020. 

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JESSICA SGAMBELLURI (Dancer, She/Her) is a 2014 graduate of Marymount Manhattan College. Jessica has danced for Graham 2, TED Talks Live, Caterina Rago Dance Company, The Metropolitan Opera, and Buglisi Dance Theatre. Jessica joined the company in 2019.

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SAVANNAH SPRATT (Dancer, She/Her) joined the company in 2016. Hailing from Rochester, PA, she holds a BFA from UNCSA (recipient of the Sarah Graham Keenan Scholarship). Beyond Limón, she has collaborated with Madeline Hollander, Hélène Simoneau, and the Merce Cunningham Trust and enjoys knitting.

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LAUREN TWOMLEY (Dancer, She/Her) from Brooklyn, NY, is a performing and teaching artist who has been with the Limón Dance Company since 2019. She is a dancer and operations manager for Peter Stathas Dance and values connection, diversity, and play in her artistic endeavors. 

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TYLER BRUNSON (Dancer, they/her) from New Jersey, trained at the Joffrey Ballet School, earning a BFA in Fine Arts. Tyler has worked with choreographers such as Fatima Logan-Alston, Rush Johnson & Kadeem Alston.

Tyler. Brunson

ADELE CARLSON (Dance, She/Her) was raised in Houston, TX and graduated from Southern Methodist University. She has performed with Salvatore Larussa and currently Alpha Omega Theatrical Dance Company. This is her first season with Limón2.

Adele Carlson

CASIDY CHAN (Dancer, She/Her) a diverse artist born and raised in Honolulu, Hawaii trained with Charlys Ing, The Rock School for Dance Education, and The University of Arizona before joining L2.

Casidy Chan

MIKEY COMITO (Dancer, he/him) is from New york. He attended SUNY Brockport in 2021 on scholarship. He then completed the LimónPro and LimónLaunch training programs and is now dancing in Limón2 and for Kathryn Alter.

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NYAH MALONE (Dancer, They/She)  is a multi-disciplinary artist based in Brooklyn, NY. They received a BFA in Dance from LINES at Dominican University of California before joining Limón2.  

Nyah Malone

NATHAN PODZIEWSKI (Dancer, He/Him) is a dancer, actor, and choreographer. He graduated from The Hartt School and attended the Martha Graham School of Contemporary Dance, where he performed some of Graham’s Repertory and other contemporary works. He is a member of the Cecilia Whalen Dance Company.

Nathan Podziewski

JASMINE PRESTI (Dancer, She/Her) born in Long Island, New York, graduated with BFA from Adelphi University in 2022. She has worked with Kofago Dance Ensemble, based in Queens, New York. This is Jasmine’s first season with Limón2. 

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RICHARD SAYAMA (Dancer, He/Him) originally from Honolulu, Hawai’i, started dancing at the age of 16 and discovered the Limón technique in 2017. 

Richard Sayama

XINYI ZHANG (Dancer, She/Her) is from China. She earned her BA in Performance from the Beijing Dance Academy and her MA in Dance Education from New York University.  This is her first season with Limón2.

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Our Supporters

The José Limón Dance Foundation, Inc. is supported with public funds from the New York State Council on the Arts; and the New York City Department of Cultural Affairs in partnership with the City Council. Additional support is generously provided by the following institutions: Henry and Lucy Moses Fund; The Howard Gilman Foundation; Miriam and Arthur Diamond Charitable Trust; New York Community Trust; Jody and John Arnhold; The Varnum De Rose Charitable Trust; The SHS Foundation; The Shubert Foundation; West Harlem Development Corporation; The Fan Fox and Leslie R. Samuels Foundation, Inc.; Mex-Am Cultural Foundation; Withers Bergman LLP; The Harkness Foundation for Dance; Bank of America Charitable Foundation; The Jerome Robbins Foundation;  WQXR.


The Limón Dance Company is a member of Dance/USA, Dance/NYC, Association of Performing Arts Presenters, Western Arts Alliance, National Association of Schools of Dance, the Arts & Business Council, and the United States-Mexico Chamber of Commerce.

The José Limón Dance Foundation extends our gratitude to the generous supporters who make our programming possible.

Donor list as of October 31, 2024

Charles & Deborah Adelman

Lana Aleixo

Aida Anderson

Lili Arkin

Jody & John Arnhold

Kelly Arnsby

Ashman Fund Gulf Coast Community Foundation

Nikki Assanti

Martin & Louise Auerbach

Rita Auerbach

Mason Ballard

Peter Balsam

Bank Of America

Bank of New York Mellon

Tony Bechara

Lisa Benton

Mary Bernardi

Irene Blankenhorn

Bradford Blevins

Julia Boberg

Teresa Boitel

Yoann Brugiere

Diana Byer

Rebecca Cardwell

Laura Carr

Paula Carriço*

Karen & Rev. Humberto Chavez

Roopa Cheema

Mary Chen

Tracy Chenoff

Calvin Churchman

Patricia Cohen

Elizabeth Comito

Alice Condodina

Cone Marshall Group

Colin Connor

Ernesta Corvino

Judy Corwin

Juliette Crump

Barbara Cummings

Deborah Damast

Alexis Daran

Paul Debenedittis

Heather Denbow

Yiwen Deng

Diamonstein-Spielvogel Foundation

Barbara Dickinson

Carolyn Dorfman

Kurt Douglas*

Elise Drew

Carla Eaton

Robert Ellis

Juan José Escalante

Tina*& Wayne Evans

Deborah Falik

Karl Feitelberg

Danielle Fenn

Ford Foundation

Mary E. Ford Sussman

Christine J. Friedman

Jonathan Galef

Sonia Garcia-Romero

Susan Garnet

Danni Gee

Anna Gellerman

Diane Giles

Amanda Gish

Joan Gottfried

Kathryn Greenberg

Akir & Michelle Gutierrez

Stephanie Harkness

Deadria Harrington

Nicole Pura Heath

Sylvia Hewlett* & Richard Weinert

Sue Hogan

Caroline Hyman

Brigid Jennings

Jewish Communal Fund

Virginia Johnson

Madeline Jones

KAD In Motion

Carol Kaminsky

Kim Preston Charitable Fund

Aline Klaus

Mel Konner

Donna Krasnow

Ted Kropiewnicki

Robert Kuhns

Mario Lamothe

Joan Lazarus

Kate Lear

Kerry Lee

Jonathan Leinbach*

Lemberg Foundation

Agustin Leon

Charles Letourneau

Daniel Lewis

John Lewis

Konrad Liegel

Jesse Lindenberger-Schutz

Kaiching Lo

Susan Loeb

Lourdes Lopez

Joann Luehring

Peter Lyons

Jane Lytle

Lorn Macdougal

Anne Maerki

Mai Manchanda

Anthony Marino

Anne Märki

Massage Envy Midtown West

Gary Masters

Andres Mata Osorio

Maria Maury

Robert* & Jeanne Meister

Danny Mejia

Robyn Meredith

Marla Metzner

Chris Mohry

Daniel Morimoto

Patricia Murphy

Linda Murray

Stephanie Neel

Shane Nelson

Nguyen Gift Fund

John Oden

Morris W. Offit

Cheryl Oppenheim

Elizabeth Parkinson

Karin Penthaler

Roberta Pereira

Cecilia Picón* & Pedro Torres

Laura Pogoda

Posner-Wallace Foundation

Princess Grace Foundation

Allison Prouty

Sam Radin

Dahlia Remler

Leslie Rich

Katrina Robinson*

Bryan Rozencswaig

Craig Rubano

James Ruscica

Michael Russ

Ivan* and Karyn Sacks

Madeline Sacks

Raina Sacks-Blankenhorn

Harris Saltzberg

Rebecca Sanchez

Patricia Sanchez-Marin

Sierra Sanders

Linda Sant'Ambrogio

Bettina Schein

Michelle Schroer

Carol Sgambelluri

Kate Remy Shaber

Elizabeth Shew

Subhash Shinde

Jeryl Siskind

Debora Staley

Peter Stathas

Benjamin Stein

Gail Steinitz

Murray Stoltz

Thomas Sullivan

Erica Sweany

Stephanie Sweda

Allison Sweeney

Mark Tashkovich

Clarice Tavares

Olivia Taylor

John Teitler

Daintry Tennapel

Amy Leshner Thomas

Jaynie Saunders-Tiller & Chad Tiller

Kara Unterberg

Kelly Unverzagt

Yolanda Variano

Jaclynn Villamil

Peter Stanley Walker

Chelsey Ward

Carol Weil

Stephen Weiner

David Welles

Allison Wheeler

Nina White

Blakeley White

Karin Wintrová

Shawn Wood

Andrew Zacks

Kathryn Zaytoun

Jomarie Zeleznik

Choreography: José Limón (1955)

Composer: Hazel Johnson

Percussionist: Douglas Perkins

Reconstruction (1980): Carla Maxwell

Staging & Direction: Dante Puleio

Original Costume Design: Pauline Lawrence

Costume Revival: Gabrielle Corrigan

Lighting Design (1980): Edward Byers

Lighting by: Liz Schweitzer

 

Dancers

Soloist – Drummer – Kieran King

(11/5, 11/6, 11/9 eve, 11/10) Joey Columbus, Johnson Guo, Nicholas Ruscica

(11/7, 11/8, 11/9 mat) Joey Columbus, Johnson Guo, Eric Parra

This energetic, athletic dance for four dancers and a drum tossed between them is a compelling exploration of rhythm and movement. In moments when the percussion score stops, the movement—the beats the men create on their bodies—becomes the music.

 

First performed on August 19, 1955 at the American Dance Festival by Limón Dance Company

Drum Set provided by Gavin Ryan

PAUSE

                                                                         

SCHERZO

MAJOR REVIVAL

(11 Minutes)

Choreography: Kayla Farrish

Composer: Alex MacKinnon

Recorded by: Alex MacKinnon, Jonathan Saraga- Trumpet, 

Zach Koeber- Tenor Saxophone, John Feliciano- Bass

Costume Design: Márion Talán de la Rosa

Lighting Design: Katie Whittemore

 

Dancers

Natalie Clevenger, Joey Columbus, Mariah Gravelin, Johnson Guo, 

Kieran King, Deepa Liegel, Olivia Mozie, Eric Parra, Nicholas Ruscica, 

Jessica Sgambelluri, Savannah Spratt, Lauren Twomley

 

This work has been inspired by the lost work Limón created in 1951 while in residency in Mexico City and revisited, renamed and re-choreographed in 1952. Redes (Nets) 1951; the representation of collective work and unity and El Grito (The Scream) 1952; the awakening of consciousness, creative force and freedom. 

 

"This work peers into and honors traditions, rituals, and stories of lineage among communities of radical care and expression. Dreaming of the migrants’ stories, the “migrant hero” journey transposed into the carriage of the guitar and the drum. This reflected the pulse, transforming into the blues and the “corridos” singing their narratives across landscapes to one another. I pull from imagining these communities who have held onto one another, taking care of another, and pushed for transformation and revolution together. What is the breath and space where we can release, feel, and create change?  This work honors avante-garde jazz, Mexican Muralism, and fully felt humanity in us all." - Kayla Farrish

 

This work has co-commissioning support from American Dance Festival and early residency support was provided by Vanderbilt University Blair School of Music and Kaatsbaan Cultural Park.  Additional support was provided by New York State Council on the Arts.

 

INTERMISSION

                                                                         

The Quake that Held Them All

WORLD PREMIERE

(25 Minutes)

Choreography: Doris Humphrey (1931)

Staging: Gail Corbin

Music: Tragoedie Fragment a-moll, Op. 7 No. 2 by Nikolai Karolovich Medtner

Maschere Che Passano for Piano by Gian Francesco Malipiero*

Pianist: Michael Scales

Costume Design: Pauline Lawrence

Lighting Design (2024): Liz Schweitzer

 

Dancers

Mariah Gravelin (11/5, 11/6, 11/9 eve, 11/10)

Jessica Sgambelluri (11/7, 11/8, 11/9 mat)

A. Circular Descent

B. Pointed Ascent

 

Two Ecstatic Themes is the keynote to Miss Humphrey’s mature work. 

“The first part is in circular and spiral movements, soft and sinking, to convey a feeling of acquiescence. The second part, in contrast to the first, moves in pointed design to a strident climax suggestive of aggressive achievement. The whole is a counterpoint of circular and angular movement, representing the two inseparable elements of life as well as design.” (D.H.)

 

First performance October 31, 1931 at Washington Irving High School, New York.

The Dance Notation Bureau, a non-profit service organization, has provided a Labanotation score for this staging of Two Ecstatic Themes.

*Presented under license by G. Schirmer, Inc. o/b/o Chester Music Ltd., copyright owners.

PAUSE

TWO ECSTATIC THEMES

(6 Minutes)

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Photo by Christopher Jones
Photo by Jack Baran
Photo by Jack Baran

When curating Limón’s and newly commissioned works, I focus on different aspects of who José Limón was, why he made the works he did and how they are in conversation with the current moment.

 

As we sit here in election week and all that has happened these past few months, I hold onto the human instinct to rise in the face of adversity, and Limón’s belief that we will grow stronger together, not in spite of, but because of what stands in our path.

 

In creating this program I’ve been drawn to what I know of Limón and his feeling of living on the periphery, as an outsider, while holding strong to the belief in the power of community.

 

These works explore the sensation of being on the outside looking in. Reaching across decades we step inside Limón, Humphrey and Farrish’s experience of the solo figure and their response to the intensely changing world around them.

 

Dante Puleio, Artistic Director

PROGRAM NOTES

 

Guest Collaborators
 

KAYLA FARRISH (Choreographer, She/Her),  is a Black American Director merging dance-theater, filmmaking, narrative, and sound score. She captures ranging identity, the mythical dualities of history and present survival, and powerful dreaming lending to liberation.  She is currently a NEFA National Dance Project Grantee for her project “Put Away the Fire, dear” currently on tour and the recipient of the Ellis Beauregard Contemporary Dance Award. She has been commissioned by Limon Dance Company, ODC Theater, Louis Armstrong House Museum, Blacklight Summit, Harlem Satage and beyond.  She creates live works, films, site-specific/immersive, and collaborations with musicians and other artists. Presenting spaces include Lincoln Center, Park Avenue Armory, Symphony Space, and National Sawdust, among receiving support from Watermill Center for the Arts, Armstrong Now, Brooklyn Filmmakers Collective, Baryshnikov Arts Center, La Mama Theater, and others. She is excited to create more, and continue to be a part of radical movements of freedom and humanity.

 

ALEX MACKINNON (Composer, He/Him), is a drummer/composer from Piermont, NY now based in Brooklyn.  He has performed at Carnegie Hall, National Sawdust, Webster Hall, The 92nd St Y.  He has worked consistently as a dance accompanist for over 15 years playing classes of all styles. He has composed music for choreographers including Kayla Farrish, Giada Matteini, Betsy Coker, Selina Chau, and more.  As a drummer he has worked groups such as Layerhythm, That Shuffle, Clay Haynes, The Fine Machines, and Randy Johnston.  You can find his original music at  Alexmakesmusic.bandcamp.com and thewhistleblowers.bandcamp.com as well as on all streaming services.

 

MICHAEL SCALES (Pianist, He/Him), is a musician for dance in New York City, where he serves as pianist at New York City Ballet, the School of American Ballet, and formerly at American Ballet Theatre and New York Theatre Ballet. Michael is pianist for Vail Dance Festival, and has collaborated with Martha Graham Dance Company and Limón Dance Company. Michael has performed at numerous venues around New York City including Carnegie Hall, Lincoln Center, NY City Center, the 92nd Street Y, Rockefeller Center, and in halls across the country and internationally. Michael holds a Bachelor of Arts degree from Kutztown University of Pennsylvania, where he studied with Dr. Maria Asteriadou, and a Masters of Music degree from James Madison University, where he studied with Dr. Lori Piitz. 

 

DOUGLAS PERKINS (Drummer, He/Him), is a GRAMMY nominated percussionist, producer, and conductor who has performed everywhere from Carnegie Hall to the heart of the Alaskan Tundra. He founded the percussion quartet So Percussion and the Meehan/ Perkins Duo. Perkins is the Director of Percussion at the University of Michigan.
 

Photo by John Herr

SPECIAL THANKS

Brad Beakes

​Charlotte Bydwell

Tobin del Cuore

Pablo Eluchans

Tim Glenn

Gavin Ryan

Jeanne Solan

LDC - NJPAC - photo Hisae Aihara_HA05581.jpg
Photo by Hisae Aihara
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